Revision: 18th and 19th Century Performance Conditions
Background on Victorian Theatre
18th Century
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Stage and Stage Machinery
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Proscenium arch theatres- fore-stage projecting just beyond
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Downstage> door for entrances and exits
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And/Or doors upstage for P.Arch
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Back of Stage formed by shutters
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Lighting>Gas from footlights and auditorium
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Once curtain up at beginning and down at the end > scene changes visible
Changes in 19th century
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Very few downstage doors left in theatres
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Orchestra pit lower than stage, replaces the fore-stage= picture frame stage.
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Creating illusion- a "picture" This was important to Victorians
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By 1880, Bancroft put a huge gilded frame around stage at Haymarket Theatre in London
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Provides a big divide between actors and audience
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Contrast to Elizabethan aim for productions.
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Stage itself often larger than auditorium (including wings) Need space of stage in both wings
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The height of stage is twice as high as the proscenium arch i.e. around 60ft
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Depth of stage varied enormously
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Area under stage was excavated for machinery space.
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Above stage machinery Things "flying" down from the tower. A gridiron- a wooden structure with stage cloths.
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"Act Drops" hide away any scene changes.
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Painted front curtain> up at beginning, down at the end.
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Ropes on pulleys> pulled by hand and all manually managed.
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Fly galleries connected by ladders and/or catwalks.
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"Fly men" controlling this on signal from director or prompter.
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The underside of the lowest fly gallery would hold shutters in grooves.
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Shutters painted in standardized way- pre-painted to depict certain scenes. i.e. castle, palace, forest.
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