【新东方雅思阅读】雅思阅读提升训练模拟题：雕塑

2018-08-27 15:24

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以下是新东方雅思为您带来的雅思阅读提升训练模拟题：雕塑，更多雅思阅读资讯请关注新东方雅思。
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如果我们能把雅思阅读这个分紧紧攥在手里，雅思的成绩估计只高不低，只是有时候我们的训练不是很到位，所以小编继续给大家带来雅思阅读提升训练模拟题：雕塑。

雅思阅读文本：

The sculptural legacy that the new United States inherited from its colonial predecessors was far from a rich one, and in fact, in 1776 sculpture as an art form was still in the hands of artisans and craftspeople. Stone carvers engraved their motifs of skulls and crossbones and other religious icons of death into the gray slabs that we still see standing today in old burial grounds. Some skilled craftspeople made intricately carved wooden ornamentations for furniture or architectural decorations, while others caved wooden shop signs and ships' figureheads. Although they often achieved expression and formal excellence in their generally primitive style, they remained artisans skilled in the craft of carving and constituted a group distinct from what we normally think of as "sculptors" in today's use of the word.

On the rare occasion when a fine piece of sculpture was desired, Americans turned to foreign sculptors, as in the 1770's when the cities of New York and Charleston, South Carolina, commissioned the Englishman Joseph Wilton to make marble statues of William Pitt. Wilton also made a lead equestrian image of King George III that was created in New York in 1770 and torn down by zealous patriots six years later.A few marble memorials with carved busts, urns, or other decorations were produced in England and brought to the colonies to be set in the walls of churches — as in King's Chapel in Boston. But sculpture as a high art, practiced by artists who knew both the artistic theory of their Renaissance-Baroque-Rococo predecessors and the various technical procedures of modeling, casting, and carving rich three-dimensional forms, was not known among Americans in 1776. Indeed, for many years thereafter, the United States had two groups from which to choose — either the local craftspeople or the imported talent of European sculptors.

The eighteenth century was not one in which powered sculptural conceptions were developed.

Add to this the timidity with which unschooled artisans — originally trained as stonemasons, carpenters, or cabinetmakers — attacked the medium from which they sculpture made in the United States in the late eighteenth century.

雅思阅读题目：

1. What is the main idea of the passage ?

(A) There was great demand for the work of eighteenth-century artisans.

(B) Skilled sculptors did not exist in the United States in the 1770's.

(D)American sculptors were hampered by a lack of tools and materials.

2. The word "motifs" in line 3 is closest in meaning to

(A) tools

(B) prints

(D) designs

3. The work of which of the following could be seen in burial grounds?

(A) European sculptors

(B) Carpenters

(D) Cabinetmakers

4. The word "others" in line 6 refers to

(A) craftspeople

(B) decorations

(D) shop signs

5. The word "distinct" in line 9 is closest in meaning to

(A) separate

(B) assembled

(D) inferior

6. The word "rare" in line 11 is closest in meaning to

(A) festive

(B) infrequent

(D) unexpected

7. Why does the author mention Joseph Wilton in line 13?

(A) He was an English sculptor who did work in the United States.

(B) He was well known for his wood carvings

(D) He settled in the United States in 1776.

8. What can be inferred about the importation of marble memorials from England?

(A) Such sculpture was less expensive to produce locally than to import

(B) Such sculpture was not available in the United States.

(D) The materials found abroad were superior.

9. How did the work of American carvers in 1776 differ from that of contemporary sculptors?

(A) It was less time-consuming

(B) It was more dangerous.

(D) It was less refined.

雅思阅读答案：

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本文整理了雅思阅读关于雅思阅读提升训练模拟题：雕塑等方面的解析供大家参考使用，预祝各位新东方雅思学员在雅思考试中取得优异的成绩！
以上是新东方雅思为您带来的雅思阅读提升训练模拟题：雕塑，更多雅思阅读资讯请关注新东方雅思。
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